Musical (1993)


Musique: Heather Brothers
Paroles: Heather Brothers
Livret:
Production à la création:

Version 1

Lust (1993-07-Haymarket Theatre-London)

Type de série: Original
Théâtre: Haymarket Theatre (Londres - Angleterre)
Durée :
Nombre : 128 représentations
Première Preview : Inconnu
Première : lundi 19 juillet 1993
Dernière : Inconnu
Mise en scène : Bob Carlton
Chorégraphie : Irvin Davies
Producteur :
Avec : Denis Lawson (Horner), Paul leonard (Quack), Judith Paris (Lady Fidget), Sophie Aldred (Margery), Julian Curry (Pinchwife), Mark Haddigan, Anthony Dawes, Janet Devenish
Commentaires : Based on “The Country Wife” by William Wycherley, this was described as a “Carry On” comedy set to music. They either loved it, or they hated it. One critic commented: “I’m told that ‘Lust’ was performed to great acclaim at the Queen’s Theatre, Hornchurch; a more telling indictment of Essex Man as a cultural arbiter would be hard to imagine.” It ran for three and a half months.

London 1661, Pride, covetousness, envy, glutton, anger and sloth spread like the plague. But no sin was quite so contagious as LUST, an no sinner quite so big as Horner.
To the ladies his looks were appealing and so where his considerable charms.
To their husbands he threatened their manhood: thrusting his prescence into the most delicate parts of society, parading his swollen reputation wherever he could and openly exposing the ins-and-outs of his private life.

Synopsis complet



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Version 1

Lust (1993-07-Haymarket Theatre-London)

Type de série: Original
Théâtre: Haymarket Theatre (Londres - Angleterre)
Durée :
Nombre : 128 représentations
Première Preview : Inconnu
Première : lundi 19 juillet 1993
Dernière : Inconnu
Mise en scène : Bob Carlton
Chorégraphie : Irvin Davies
Producteur :
Avec : Denis Lawson (Horner), Paul leonard (Quack), Judith Paris (Lady Fidget), Sophie Aldred (Margery), Julian Curry (Pinchwife), Mark Haddigan, Anthony Dawes, Janet Devenish
Commentaires : Based on “The Country Wife” by William Wycherley, this was described as a “Carry On” comedy set to music. They either loved it, or they hated it. One critic commented: “I’m told that ‘Lust’ was performed to great acclaim at the Queen’s Theatre, Hornchurch; a more telling indictment of Essex Man as a cultural arbiter would be hard to imagine.” It ran for three and a half months.

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